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SNEŽANA VUČETIĆ BOHM

WORKS 1990-2024



Eternal, apart 

Entering

Goods in the hold of the ship

Nightwood

Take everything you can carry in your hands. Forget, nothing.

The Pergamon Project

Finlandia 

..sitting with his wife and two children in a Citroen CX Pallas Turbo

Chevrolet Impala Custom

Self Portraits as a nurse on
Malmskillnadsgatan, ("If they move kill’ em") 

Self Portrait as a nurse, 1998/2024

Self Portraits (1991-1994) 

Self Portrait in a costume made for tourists. (1998) 

Self Portraits (2003-2023)



PHOTOGRAPHY


But since some Industry must be  

EXHIBITIONS ( selection)

DOM, Gallery ID:I, Stockholm, 2024
Victory over the Victory, @Köttinspektionen, Uppsala, 2024

Self Portraits 1991-92, Seven Rooms and a Garden: Rashid Johnson and The Moderna Museet Collection, Moderna Museet, Stockholm SWE 2023-24

Self Portraits, 1991-92, Insights @Moderna Museet, Stockholm, 2022

IDÈ:IDAG @Konstnärshuset, 2022

Intervention (do not interrupt me) @Gallery ID:I, 2021
Body of Care & Control @Köttinspektionen, Uppsala, 2019

50/50 @Walla Scen, Sthlm, 2011


SITE-SPECIFIC PUBLIC WORKS

G./F. (stagedirections) @Karolinska University Hospital Huddinge, 2019

Stairs with a balcony, 2016 proposal


VIDEOWORKS

The Departure (2000-2003)

The Making of Madonna, 1995

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Biography


Contact 

Instagram 

DOM /HOME
ID:I gallery 
17 May-2 June 2024 

The starting point of the exhibition is a binder with architectural drawings presented in an installation with images, historical archive material and objects intertwined based on ideas about ideology, freedom, dreams, utopias, and reality.

The drawings represent the house that my parents and relatives once started building in 1967 in the former Yugoslavia, now Montenegro the house which was never completed lacks a floor, according to the drawings, as evidenced by the bent reinforcement bars on the roof. A photograph, from 1998 reworked 2022–24 where in a self-portrait as a nurse I wear my aunt's examination gown, in the new image details from floor plans have been added.

The exhibition explores identity at the intersection between exile, migration, and assimilation where a sense of a lost now is constantly reminded. The title of the exhibition DOM has various meanings in different languages, including Swedish. However, in Serbian it means home.


https://idigalleri.org/arkiv/  













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