SNEŽANA VUČETIĆ BOHM
WORKS 1990-2024
Self Portrait as a nurse
Eternal, apart
Entering
Goods in the hold of the ship
Nightwood
Take everything you can carry in your hands.
Forget, nothing.
The Pergamon Project
Finlandia
..sitting with his wife and two children in a Citroen CX Pallas Turbo
Chevrolet Impala Custom
Self Portraits as a nurse on
Malmskillnadsgatan, ("If they move kill’ em")
Self Portraits (1991-1994)
Self Portrait in a costume made for tourists. (1998)
Self Portraits (2003-2023)
PHOTOGRAPHY
But since some Industry must be
EXHIBITIONS ( selection)
DOM, Gallery ID:I, Stockholm, 2024
Victory over the Victory, @Köttinspektionen, Uppsala, 2024
Self Portraits 1991-92, Seven Rooms and a Garden: Rashid Johnson and The Moderna Museet Collection, Moderna Museet, Stockholm SWE 2023-24
Self Portraits, 1991-92, Insights @Moderna Museet, Stockholm, 2022
IDÈ:IDAG @Konstnärshuset, 2022
Intervention(do not interrupt me) @Gallery ID:I, 2021
Body of Care & Control @Köttinspektionen, Uppsala, 2019
50/50 @Walla Scen, Sthlm, 2011
SITE-SPECIFIC PUBLIC WORKS
G./F. (stagedirections) @Karolinska University Hospital Huddinge, 2019
Stairs with a balcony, 2016 proposal
VIDEOWORKS
The Departure (2000-2003)
The Making of Madonna, 1995
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Contact
Instagram
DOM /HOME
ID:I gallery
17 May-2 June 2024
The starting point of the exhibition is a binder with architectural drawings presented in an installation with images, historical archive material and objects intertwined based on ideas about ideology, freedom, dreams, utopias, and reality.
The drawings represent the house that my parents and relatives once started building in 1967 in the former Yugoslavia, now Montenegro the house which was never completed lacks a floor, according to the drawings, as evidenced by the bent reinforcement bars on the roof. A photograph, from 1998 reworked 2022–24 where in a self-portrait as a nurse I wear my aunt's examination gown, in the new image details from floor plans have been added.
The exhibition explores identity at the intersection between exile, migration, and assimilation where a sense of a lost now is constantly reminded. The title of the exhibition DOM has various meanings in different languages, including Swedish. However, in Serbian it means home.
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