SNEŽANA VUČETIĆ BOHM
WORKS 1991-2025
Eternal, apart
Entering
Nightwood
Goods in the hold of the ship
Take everything you can carry in your hands, don't forget anything.
The Pergamon Project
Finlandia
...sitting with his wife and two children in a Citroen CX Pallas Turbo
Chevrolet Impala Custom
Self Portrait as a nurse on Malmskillnadsgatan (If they move kill'em) (1996)
Self Portraits (1991-1994)
Self Portrait as a nurse (1998/2024)
Self Portraits (2003-2023)
PHOTOGRAPHY
But since some Industry must be
EXHIBITIONS (selection)
DOM, Gallery ID:I, Stockholm, 2024
Victory over the Victory, @Köttinspektionen,
Uppsala, 2024
Self Portraits 1991-92, Seven Rooms and a Garden: Rashid Johnson and The Moderna Museet Collection, Moderna Museet, Stockholm SWE 2023-24
Self Portraits, 1991-92, Insights @Moderna Museet, Stockholm, 2022
IDÈ:IDAG @Konstnärshuset, 2022
Intervention (do not interrupt me) @Gallery ID:I, 2021
Body of Care & Control @Köttinspektionen, Uppsala, SWE 2019
SITE-SPECIFIC PUBLIC WORKS
G./F. (stagedirections) @Karolinska University Hospital Huddinge, 2019
Stairs with a balcony, 2016, proposal
VIDEOWORKS
The Departure (2000-2003)
The Making of Madonna, 1995
Biography
Contact
Instagram
DOM /HOME
ID:I gallery
17 May-2 June 2024
The starting point of the exhibition is a binder with architectural drawings presented in an installation with images, historical archive material and objects intertwined based on ideas about ideology, freedom, dreams, utopias, and reality.
The drawings represent the house that my parents and relatives once started building in 1967 in the former Yugoslavia, now Montenegro the house which was never completed lacks a floor, according to the drawings, as evidenced by the bent reinforcement bars on the roof. A photograph, from 1998 reworked 2022–24 where in a self-portrait as a nurse I wear my aunt's examination gown, in the new image details from floor plans have been added.
The exhibition explores identity at the intersection between exile, migration, and assimilation where a sense of a lost now is constantly reminded. The title of the exhibition DOM has various meanings in different languages, including Swedish. However, in Serbian it means home.
https://idigalleri.org/arkiv/
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