SNEŽANA VUČETIĆ BOHM
WORKS 1990-2024
Self Portrait as a nurse
Eternal, apart
Entering
Goods in the hold of the ship
Nightwood
Take everything you can carry in your hands.
Forget, nothing.
The Pergamon Project
Finlandia
..sitting with his wife and two children in a Citroen CX Pallas Turbo
Chevrolet Impala Custom
Self Portraits as a nurse on
Malmskillnadsgatan, ("If they move kill’ em")
Self Portraits (1991-1994)
Self Portrait in a costume made for tourists. (1998)
Self Portraits (2003-2023)
PHOTOGRAPHY
But since some Industry must be
EXHIBITIONS ( selection)
DOM, Gallery ID:I, Stockholm, 2024
Victory over the Victory, @Köttinspektionen, Uppsala, 2024
Self Portraits 1991-92, Seven Rooms and a Garden: Rashid Johnson and The Moderna Museet Collection, Moderna Museet, Stockholm SWE 2023-24
Self Portraits, 1991-92, Insights @Moderna Museet, Stockholm, 2022
IDÈ:IDAG @Konstnärshuset, 2022
Intervention(do not interrupt me) @Gallery ID:I, 2021
Body of Care & Control @Köttinspektionen, Uppsala, 2019
50/50 @Walla Scen, Sthlm, 2011
SITE-SPECIFIC PUBLIC WORKS
G./F. (stagedirections) @Karolinska University Hospital Huddinge, 2019
Stairs with a balcony, 2016 proposal
VIDEOWORKS
The Departure (2000-2003)
The Making of Madonna, 1995
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Contact
Instagram
A public Art Proposal for Square or Pocket Park
Stairs with balcony
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Performative sculpture integrated with stairs, (material: stone, concrete, glass, iron. Size. 5x4x2 meters. Model scale. 1.20
A replica of a balcony in Verona, scale 1.1.
Originally a sarcophagus from the 1600th century.
Material: Handmade carved in sandstone. Suspended in a structure of steel beams with a transparent barrier of glass. In winter, the stairs made out of concrete are warm to sit on. Two spotlights illuminate the sculpture at evening and night.
History: The starting point is a loop of historical and mythological fragments which has been retold and appropriated from Shakespeare's play Romeo and Juliet, 1597 until today. The work aims to reflect on the visitors own history and put their personal dramaturgy into the the sculpture Set against the historical myth and the narrative the work becomes a contemporary document, a space for the public to enter and to use as a forma of "Speakers Corner”. I am interested to pose questions and reflect on issues around identity, sexuality and gender.
Snezana Vucetic Bohm, 2016
